{"id":1189,"date":"2019-06-04T23:17:18","date_gmt":"2019-06-04T21:17:18","guid":{"rendered":"http:\/\/www.cyrilbouysse.com\/cbamp\/?p=1189"},"modified":"2023-02-26T11:45:42","modified_gmt":"2023-02-26T10:45:42","slug":"2012-reverb-unit","status":"publish","type":"post","link":"https:\/\/www.cyrilbouysse.com\/cbamp\/2012-reverb-unit\/","title":{"rendered":"Reverb Unit (2012)"},"content":{"rendered":"
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Tubes :<\/strong><\/span> \u2022 6K6GT RCA smoked glass NOS<\/span><\/p>\n

\u2022\u00a0 ECC83 Philips NOS<\/span><\/p>\n

\u2022\u00a0 ECC81 Telefunken NOS<\/span><\/p>\n

Contr\u00f4les :<\/strong><\/span> Dwell \u2013 Mix \u2013 Tone<\/span><\/p>\n

Tank de r\u00e9verb\u00e9ration Accutronics<\/strong> vintage<\/span><\/p>\n

Transformateurs Mercury Magnetics<\/strong> \u2013 ESO<\/strong><\/span><\/p>\n

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Composants tri\u00e9s<\/span><\/p>\n

C\u00e2blage en vrai<\/em> point \u00e0 point<\/span><\/p>\n

Eb\u00e9nisterie noyer massif, assemblage queues d'aronde<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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Bas\u00e9e sur la Fender 6G15<\/strong>, cette Reverb Unit a subi peu de transformations quant au circuit original. Mais un soin tout particulier a \u00e9t\u00e9 apport\u00e9 \u00e0 l'optimisation de l'effet.<\/span><\/p>\n

Le transformateur d'alimentation<\/strong> est surdimensionn\u00e9 pour un effet plus tenu. Le c\u00e2blage en vrai point \u00e0 point<\/strong>, et quelques modifications de valeurs de composants, mais surtout leur choix permettent d'affiner l'effet.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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Le choix du tank de r\u00e9verb\u00e9ration<\/strong> est un point important : il colore tr\u00e8s fortement la reverb et modifie compl\u00e8tement le decay et le spectre sonore.<\/span><\/p>\n

La production semble ainsi ne pas avoir \u00e9t\u00e9 constante au court du temps, et \u00e0 r\u00e9f\u00e9rence \u00e9gale, les tanks Gibbs et Accutronics auront des comportement tr\u00e8s distincts.<\/span><\/p>\n

Apr\u00e8s de nombreux essais, c'est un tank Accutronics vintage<\/strong> (r\u00e9f\u00e9rence inconnue) qui s'est distingu\u00e9 comme le meilleur.<\/span><\/p>\n

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Dwell<\/strong> (longueur du decay), Mix<\/strong> (son direct\/reverb), et Tone<\/strong> permettent d'obtenir une grande vari\u00e9t\u00e9 de sons. On peut aller d'une reverb courte et l\u00e9g\u00e8re jusqu'\u00e0 la plus longue des reverb de surf music<\/strong>, avec un twang<\/strong> qui est \u00e0 la limite de la saturation de l'ampli.<\/span><\/p>\n

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La reverb est profonde et chaleureuse, et respecte le jeu et les doigts du musicien. C'est un effet envo\u00fbtant et jouissif. Et les r\u00e9glages pouss\u00e9s \u00e0 fond vont bien plus loin qu'une reverb 6G15 habituelle. L'effet peu devenir un brin d\u00e9moniaque\u00a0!<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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    Tubes : \u2022 6K6GT RCA smoked glass NOS \u2022\u00a0 ECC83 Philips NOS \u2022\u00a0 ECC81 Telefunken NOS Contr\u00f4les : Dwell \u2013 Mix \u2013 Tone Tank de r\u00e9verb\u00e9ration Accutronics vintage Transformateurs Mercury Magnetics \u2013 ESO   Composants tri\u00e9s C\u00e2blage en vrai point \u00e0 point Eb\u00e9nisterie noyer massif, assemblage queues d’aronde Bas\u00e9e sur la Fender 6G15, […]<\/p>\n","protected":false},"author":1,"featured_media":1195,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,5],"tags":[],"class_list":["post-1189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-amplis","category-effets"],"_links":{"self":[{"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/posts\/1189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/comments?post=1189"}],"version-history":[{"count":36,"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/posts\/1189\/revisions"}],"predecessor-version":[{"id":2383,"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/posts\/1189\/revisions\/2383"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/media\/1195"}],"wp:attachment":[{"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/media?parent=1189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/categories?post=1189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/tags?post=1189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}