{"id":1653,"date":"2023-02-23T17:28:26","date_gmt":"2023-02-23T16:28:26","guid":{"rendered":"http:\/\/www.cyrilbouysse.com\/cbamp\/?p=1653"},"modified":"2024-02-10T21:34:00","modified_gmt":"2024-02-10T20:34:00","slug":"sunburst-59-2018","status":"publish","type":"post","link":"http:\/\/www.cyrilbouysse.com\/cbamp\/sunburst-59-2018\/","title":{"rendered":"Sunburst 59′ (2018)"},"content":{"rendered":"
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\n\t\t\"Fender\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
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Corps :<\/strong> Aulne 2 pi\u00e8ces, collage asym\u00e9trique<\/span><\/p>\n

Manche :<\/strong> Viss\u00e9, \u00e9rable sur quartier, touche palissandre slab board, frettes 6105<\/span><\/p>\n

Finition :<\/strong> Vernis cellulosique, finition sunburst 3 tons<\/span><\/p>\n

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Electronique :<\/strong><\/span><\/p>\n

\u2022 Micros Slider's 59's
\n<\/span><\/p>\n

\u2022 S\u00e9lecteur 5P, volume, tonalit\u00e9, potentiom\u00e8tre de mix du micro aigu (blend)
\n<\/span><\/p>\n

 <\/p>\n

Accastillage :<\/strong><\/span><\/p>\n

\u2022 Vibrato Callaham et bloc d'inertie laiton
\n<\/span><\/p>\n

\u2022 M\u00e9caniques Gotoh vintage<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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Body :<\/strong> Alder 2 pieces, offset joint<\/em><\/p>\n

Neck :<\/strong>quarter sawn maple, slab rosewood fretboard, 6105 frets
\n<\/em><\/p>\n

Finish :<\/strong> nitrocellulose lacquer, 3 tone sunburst<\/em><\/p>\n

 <\/p>\n

Electronics<\/strong> :<\/strong><\/em><\/p>\n

\u2022\u00a0 Slider's 59's pickups<\/em><\/p>\n

\u2022 5 way switch, volume, tone, bridge pickup blender pot<\/em><\/p>\n

 <\/p>\n

Hardware :<\/strong><\/em><\/p>\n

\u2022 Callaham bridge with brass block<\/em><\/p>\n

\u2022 Vintage Gotoh tuners<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

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Fausse jumelle de la Blond 61'<\/a>, toutes deux ont des manches slab board fabriqu\u00e9s dans les m\u00eames bois, mais cette fois un corps en aulne. Un autre grand classique de Fender entre 1959 et 1962, et mon hommage \u00e0 Rory Gallagher.
\n<\/span><\/p>\n

Fraternal twin of the Blond 61'<\/a>, both have slab board necks made of the same pieces of woods, but this one has an alder body. A truly Fender classic from 1959 to 1962, and my tribute to Rory Gallgher.<\/em><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\"Fender\n\t<\/div>\n\n<\/div><\/div><\/div>
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Aulne vs Fr\u00eane :<\/strong> la douceur et la finesse vs la patate et le twang<\/span><\/p>\n

L'aulne am\u00e8ne plus de douceur, de rondeur et de chaleur, mais un peu moins de puissance que le fr\u00eane de la Blond 61'.<\/a> Cette guitare d\u00e9veloppe ainsi une plus grande palette d'harmoniques.<\/span><\/p>\n

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Alder vs Ash :<\/strong> sweetness and subtleties vs power and twang<\/span><\/span><\/em><\/span><\/p>\n

Alder bodies give more sweetness, roundness and warmth,\u00a0 but they're less powerful than ash, as for the Blond 61'.<\/a> This way, this guitar has a rich range of harmonics.<\/em><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\"Fender\n\t<\/div>\n\n<\/div><\/div><\/div>
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Le corps est un 2 pi\u00e8ces, \"offset joint\". Apr\u00e8s avoir essay\u00e9 des collages sym\u00e9triques au centre du corps, il m'est apparu que les corps \u00e0 collage asym\u00e9trique r\u00e9sonnent beaucoup plus. <\/span>Ainsi les collages sym\u00e9triques, plus pris\u00e9s par les luthiers ou les master build Fender, ne sont \u00e0 mon sens (et avec un peu de physique) pas les meilleurs en terme vibratoire et donc de sonorit\u00e9.<\/span><\/p>\n

This is an offset joint body. After several attempts with 2 pieces bodies, it appeared that this type of gluing gives more resonance to the guitar. <\/em>A lot of handmade electric guitars have center joint bodies, but based on my experience (and a little physics too...), they're not the best for vibrations.<\/em><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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\n\t\t\"Fender\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
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\n\t\t\"Fender\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div>
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Il y a d\u00e9sormais de tr\u00e8s bons fabricants de micros dans le monde, mais les Slider's 59'<\/strong> sont d'une excellence rare pour des micros de production r\u00e9cente. Le travail de Rod McQueen surpasse de tr\u00e8s loin les dizaines de factures diff\u00e9rentes que j'ai pu essayer.<\/span><\/p>\n

Ces micros rivalisent VRAIMENT avec les vieux micros Fender originaux en terme d'articulation, de palette harmonique, de twang, et de toutes les petites subtilit\u00e9s qui font le son des tr\u00e8s grandes guitares vintage, et qui donnent plein de trucs dans le ventre.<\/span><\/p>\n

Amongst the very best hanmade pickups around the world, the Slider's 59'<\/strong> are trully exceptional. Rod McQueen work is far beyond a lot of very good manufacturers. These pickups really compete with 50's and 60's Fender pickups, in terms of expression, harmonics, twang, and all the subtleties of great vintage guitars.<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

<\/div><\/div>
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\n\t\t\"Fender\n\t<\/div>\n\n<\/div><\/div><\/div>
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\n\t\t\"Fender\n\t<\/div>\n\n<\/div><\/div><\/div>
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\n\t\t\"Fender\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Corps : Aulne 2 pi\u00e8ces, collage asym\u00e9trique Manche : Viss\u00e9, \u00e9rable sur quartier, touche palissandre slab board, frettes 6105 Finition : Vernis cellulosique, finition sunburst 3 tons   Electronique : \u2022 Micros Slider’s 59’s \u2022 S\u00e9lecteur 5P, volume, tonalit\u00e9, potentiom\u00e8tre de mix du micro aigu (blend)   Accastillage : \u2022 Vibrato Callaham et bloc d’inertie […]<\/p>\n","protected":false},"author":1,"featured_media":2259,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guitares"],"_links":{"self":[{"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/posts\/1653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/comments?post=1653"}],"version-history":[{"count":208,"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/posts\/1653\/revisions"}],"predecessor-version":[{"id":2698,"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/posts\/1653\/revisions\/2698"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/media\/2259"}],"wp:attachment":[{"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/media?parent=1653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/categories?post=1653"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.cyrilbouysse.com\/cbamp\/wp-json\/wp\/v2\/tags?post=1653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}